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Grade 5 Lesson - 

Jewish Art

Seemingly, there is a dilemma for Jewish art.  In the Old Testament,  the second commandment states, “You shall not make for yourself a sculptured image or any likeness of anything that is in the heavens above or in the earth below."  Even Marc Chagall's uncle considered his choice of career as heretical.  Since Jewish art can be found dating back to biblical times, it begs the question, is art in our genes and a necessary part of being human?

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The Jewish diaspora (dispersal from one's homeland, not by choice) began with the Assyrians (722 - 597 BC) and has repeated itself throughout time from the Romans, up to the German Nazis of the 1930s.  The result of this dispersion is that Jewish people moved to all parts of the Earth, largely adopting customs of the cultures around them.  Jewish art also is heavily influenced by local culture.  

Grade 5 Lesson - 
Jewish Art

The dilemma of Jewish art begins with tThe second commandment declares: “You shall not make for yourself a sculptured image or any likeness of anything that is in the heavens above or in the earth below” (Exodus 20:4).  Yet Jewish art has existed since Biblical times and the Old 
Testament itself calls upon a Jewish architect to build the First Temple of Solomon.

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Arch of Titus, Paris, 81 A.D. Rome

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One of the oldest symbols of the Jewish faith is the menorah, a seven-branched candelabrum used in the Temple.   It has been said that the menorah is a symbol of the nation of Israel and its mission to be "a light unto the nations. Light is not a violent force; Israel is to accomplish its mission by setting an example, not by using force.   

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The menorah in this panel from the Arch of Titus represents the victory of the Romans, under Titus, in the Jewish rebellion at Judaea.  

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The Jewish diaspora has resulted in the settling of Jewish communities worldwide, and the idea the Jews were a people without a land.  

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Floor mosaic, Beit Alpha Synagogue, 6th century, Israel

Discovered by accident in 1928, the Beit Alpha Synagogue is an archaeological site.  Mosaics on the walls depic scenes from the Torah, menorah, and the synagogue.  The syanagogue was in the style of a basillica.  Inscriptions are in Aramaic and Greek.  

 

The floor mosaic is most famous for its large Zodiac wheel. The Zodiac, originally a Persian symbol, was “converted” by the Jews of the Byzantine period and infused with Jewish meaning. Leo became the royal seal of King David and Gemini became Cane and Abel. The vibrantly colorful Zodiac wheel surrounds the Greco-Roman sun god, Helios.  The zodiac wheel is surrounded by stories from the bible, including the one shown here, the Binding of Isaac featuring Eleazar, Ishmael, the ram caught in the bush, Abraham, Isaac and a fiery altar.

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Bethlehem, Reuven Rubin, 1938, oil on canvas

Reuvin Rubin was a Romanian painter who trained in Romania and Paris. He came to immigrated to Israel in 1912 and his art is filled with his love of the landscape.  Here Rubin depicts a romantic biblical landscape scene of Bethlehem. The town can be seen in the distance of the painting, built upon steep rolling hills. In the foreground amongst trees, a group of shepherds are visible cooking over a stove. A herd of goats stand by, looking towards the men, with a single shepherd standing behind and two more approaching the scene.  What does the use of light convey?  Rubin was known for his spiritual use of translucent light.  

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The Rabbi: A Pinch of Snuff, Marc Chagall, 1912 original, 1923-1926, watercolor and gouche on paper, Private collection.

Is Cubim or someting else?  Chagall's art is hard to pin down into a neat category.  Born in 1887 in what was Russia, he was the oldest of nine children.  His mother owned a grocery in the town of Vitebsk, a place that is often found in his paintings.  Chagall painted from the heart, a place filled with memories and mixed with fantasy.  Religious icons are as common as metaphore in his works.  How many Jewish symbols can you find in this work?

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Boulevard Montmarte at Night, Camille Pissarro, 1897, oil on canvas, National Gallery London

Camille Pissarro was born in Saint-Thomas, Virgin Islands, in 1830.  Against the family wishes, Pissarro became an artist and moved to France.  In late 19th century France, Pissarro was the only Jewish artist to maintain a pivotal position in the vanguard of his time. Camille Pissarro was one of the principal figures in the founding, development and dissemination of Impressionism.

 

In fact, this scene is not just a vision of the city at night, it is an impression of a city at night.  Painted after an eye disease made painting more difficult and forced Pissarro indoors, late in his career, Pissarro focused on urban scenes.  The scenes bustles with progress.  The lighting bathes the city scene, creating a pleasant feeling.  

CONVERSATION
Starters
  • Why are some of the elements of the relief broken?

  • What is happening in this scene?

CONVERSATION
Starters
  • Who would have built this synagogue?

  • What does the presence of a zodiac wheel in a synagogue tell us about the relationship between Jews and the Greco-Romans who controlled Israel at the time?

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CONVERSATION
Starters
  • How does the artist's use of color direct your eyes?

  • Why are the goats all facing the same direction?

  • Who are the two people on the path and where are they headed?

CONVERSATION
Starters
  • Is the rabbi a realistic representation?

  • What about him is humanizing?

  • What other symbols of Judiasm are present?

CONVERSATION
Starters
  • What do you think the population of Paris was like at the end of the 1800s?

  • Is the street quiet? What noises do you hear?

  • Is his brushwork rapid or slow and how does that make you feel about the activity shown?

  • Where is this scene and how would you describe this place?

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